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The parts in the quintet contributes something to the overall Of brass I've heard here, and very skillfully arranged. This can be said, but this is probably the most real-sounding use Ah, the work toĪs DJP touched upon in his writeup, the trained ear can certainly Something I could have played back in those days. Into inactivity, and I love this because it sounds so much like Years of my life before a lack of groups to play with forced me On this site is spotty, but I don't recall a past mix that was soĭedicated to the brass among us. This is the first time I everįelt compelled to leave a review about a piece. There have been many, many beautiful and creative mixes I have lurked around this site for about 6.5 years and 1400 Something orchestral but very different in nature from VHD which takes some risks in terms of difficulty factor but achieves something singular and refreshing as a result. the build up is moving, the climax is a couple of brass hits and the fade is classic." the ending is not so abrupt really - its perfect. very nice work on smoothing out the whole thing to being so coherent. i think the original parts are very intelligently incorporated into the main body. afterall this is now being performed as a brass quintent and that's really all the validation it needs as far as that. it does not venture too far as it does not really need to. Waleed writes: "sequenced brass is the bane of the world, i know - but come on, this ain't that bad! i just listened to some of the fakest brass you can possibly have about two songs before this one and honestly, this is alright.
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The conviction, confidence, and authenticity of the individual parts shines through, and production gracefully separates each instrument with a separate panning point and consistent ambience. Barnaba arranges for brass ensemble in a way that sounds absolutely natural and professional. While not wildly diverting from the original thematically, Mr. Nearly all the judges touched on this topic in their decisions, and in this case the believability of the sounds used is inextricably tied to the high quality arrangement. In this case the samples are pretty high quality, but moreover, the ReMixer uses a wide variety of articulations and velocities, not trying to mask limitations of samples by compromising his arrangement. To fully appreciate the scope of what VHD's doing here, though, you need to fully understand how all the nuance, articulation, and tonality of a brass instrument is inevitably lost to varying extents when emulated using samples, no matter the quality. If you've ever seen Canadian Brass live, or similarly awe-inspiring ensembles, you know just how vast a range of style, dynamic, and tone all-brass instrumentation can achieve. I'm a former low brass player (euphonium, represent) who also played trumpet for a bit, and one of my sisters played the french horn (the other went the dark path of "woodwind" with the clarinet), so let me just say that it's great to see ensemble arranging for brass hit OverClocked ReMix in such style. The ReMixer writes: "This-as the title indicates-is an arrangement of "Locke's Theme" from Final Fantasy 6 for a brass quintet consisting of 2 trumpets, french horn, trombone and tuba." VHD wins our latest incarnation of the most-intuitive-mix-title ever award.